Tag Archives: Comeback Season: How I Learned to Play the Game of Love

Two events this weekend starring our very own BSU professors!

Looking for a way to round out your first week? Well, we’ve got a couple of events that should help.

This Friday, January 14th, Professor Cathy Day will read from her memoir Comeback Season: How I Learned to Play the Game of Love. The event will be held at the E.B. & Bertha C. Ball Center at 10:00 a.m. Day will discuss the different ways sports have informed her writing, her teaching, and her life (her memoir pairs the Indianapolis Colts comeback season with her experience as a 30-something professional looking for love).

Here’s a breakdown of the event information:

Date: Friday, January 14, 2011
Time: 10:00 a.m.
Place: E.B.& Bertha C. Ball Center, 400 Minnetrista Blvd, Muncie, IN 47303
Cost: No charge, but reservations are required.

*Please call 285-8975 for more information and to make your reservation.

The second event this weekend is Vouched Presents: Matt Bell, Sean Lovelace, Aaron Burch, and Andy Devine. This reading will take place at the Indianapolis Museum of Contemporary Art on Saturday, January 15th, at 7:00 p.m. Matt Bell was part of last year’s In Print Festival, representing the editorial portion of the Q&A panel. He has recently released a book of short stories titled How They Were Found, and is the creator and editor of The Collagist, an online literary magazine. Our very own Professor Sean Lovelace will be reading as well, so this is a great chance to hear his work and pick up a copy of his chapbook How Some People Like Their Eggs. The Vouched Presents reading series is put on by Ball State alumnus Christopher Newgent, who gave us a great interview on his project Vouched Books and how he balances his passion for writing with his working life, which you can read here.

Here’s a breakdown of this event’s info:

Date: Saturday, January 15, 2011
Time: 7:00 p.m.
Place: Indianapolis Museum of Contemporary Art, 1043 Virginia Avenue, Suite 5, Indianapolis, IN 46203
Cost: FREE

Attending events like these can really bolster the college experience, so take advantage while you can!

Faculty Profile: A Conversation with Professor Cathy Day

Cathy Day

Cathy Day is the newest member of Ball State’s Creative Writing faculty in the Department of English.  She is the author of two books.  Her most recent work is Comeback Season: How I Learned to Play the Game of Love (Free Press, 2008), part memoir about life as a single woman and part sports story about the Indianapolis Colts Super Bowl season. Her first book was The Circus in Winter (Harcourt, 2004), a fictional history of her hometown. I had the opportunity to sit down with Professor Day and talk with about what kind of research goes into her writing, the influence of her hometown on her craft, and writing in different genres.

Since environment seems to be a great inspiration for you, can you tell us about your hometown—Peru, Indiana?

My town was winter quarters for a circus at the turn of the century. There was a guy in the town named Ben Wallace who was a livery stable owner and he got this notion to buy a circus. When the circus was sold, the people who traveled with the circus ended up settling in Peru because it was the closest thing they knew to a home. Some fairly famous circus folk that settled there ended up training their kids how to be performers, and so these kids put on a circus.

When I went to college, people would ask me where I was from and I’d tell them the story of Peru and they’d say, “Wow! That’s really interesting.” The thing about being from a town is you think it’s boring because it’s always around you. That’s been a big thing for my writing and teaching: trying to encourage people to look at the places they’re from for their material. It’s usually all there.

How did you research The Circus in Winter?

I spent the first five or six years reading circus history books. I would be inspired by a photograph or a factoid, and let the story go from there. I think fiction writers research in a very different way than nonfiction writers in that I didn’t have to feel bound by the facts. I would flip through a book or look through a microfilm for something that would catch my interest and go from there. There’s this thing a friend of mine calls “the atrophy of writing” where if you’re looking, as I did, at this massive body of information you kind of pick through it and don’t know what’s going to be interesting.  You just have to trust that the stuff that matters to you will rise to the top and the rest of it will fall away. It’s really overwhelming to look at all that stuff and think, how am I going to get all that in there? And the answer is you don’t.

CiW is being adapted as a musical by the Ball State University Department of Theatre & Dance, slated to be performed as part of their 2011-2012 season. What’s it like as an author to have your work adapted into another medium?

It’s surreal. To actually have a story that’s in your head tangible is awesome, but it’s also very weird. It’s really moving that they’ve created songs, a whole different medium to convey the themes of my book. One thing I was incredibly impressed by was that those songs were very faithful to what I was trying to say in the book. I call them the “truths of my heart,” coming out of someone’s mouth.

You also have a memoir out, Comeback Season: How I Learned to Play the Game of Love. Can you talk about your experiences writing memoir rather than fiction?

The thing I loved about writing Comeback Season was that it helped me learn to write a novel. To a certain point when you’re writing nonfiction, the plot’s already there, you just have to pick what parts to use. It’s a bit like being a documentary filmmaker and you shoot a ton of footage and then you have to go to the editing booth and figure out what to cut.

Is there anything you’d like to say to your new students at Ball State?

Ever since Circus in Winter came out I’ve been trying to come back here as often as I can to kind of give back to Indiana. When I was young, I didn’t know how to become a writer. I didn’t know how to be an artist or to live the life that I wanted because there was absolutely no one in my hometown who lived the way I wanted to live. I left for twenty years and now I want to be that person I would have loved to meet when I was a kid, to be that person to say, “That’s interesting. You should write about it.”