In this segment Ball State English brings you a selection of “Recommended Reads” to get you through the long Summer Break.
In this post, assistant professor Emily Jo Scalzo recommends a wild and insanely fun ride perfect for the summer, the graphic novel series Transmetropolitan by Warren Ellis.
Why should we read this, Emily?
Some years ago, a graphic novel series, Transmetropolitan, by Warren Ellis, was recommended to me by an online friend from the Bahamas (who likes to cosplay the main character). The ten volume series made it into my collection, and has been toted thousands of miles through my last five or so moves. I reread it about once a year and continually find new aspects to appreciate. References to the Vietnam era, major works of literature and film, religion, politics, and our culture as a whole can be seen throughout. Straddling the genres of sci-fi, political thriller, and dystopia, this series toys with our hopes, dreams, fears, and nightmares, proposing a future both fantastic and terrible.
Transmetropolitan revolves around the antics of a very angry journalist named Spider Jerusalem, who would much prefer to be holed up in a mountain cabin with a stock of ammo. The fine print in a book deal, however, has brought him back to what passes for civilization. In Spider’s futuristic world, the City spans much of the East Coast. Humanity has developed fantastic and wonderful advances, as well as, of course, the horrible ones. The humans of Spider’s future have brought back extinct species. They can clone and mold the mind of humans. People who were cryogenically frozen at death with hopes of being reanimated in the future have found their dreams realized. With a protein, the problem of hunger has been solved. Humans can take animal form for a day, and can even permanently alter their genetic code to match an alien species.
And yet, humanity has failed to combat poverty and the foibles of human nature. Slums still exist, ravaged by terrible diseases that are entirely treatable. Reservations have been formed to recreate doomed societies for the viewing pleasure of the populace. The cryo-resurrected Revivals are ridiculed and persecuted for their culture shock. Those adopting alien DNA are dubbed “Transients,” subject to segregation and prejudice. Even though this future society has an abundance of wealth, has solved the energy problem, and has a host of technological and biological wonders, humanity cannot escape itself, especially when it comes to the political landscape.
This is where the Ahabesque anger of Spider comes into play: just as he is forced out of his hermit lifestyle, his America is gearing up for a Presidential election between the incumbent Beast and the challenging Smiler, which promises to sink to depravities difficult to imagine. Or perhaps not so difficult—it is, after all, an election year. Despite his best efforts, Spider is drawn into the election personally, in part due to his previous journalistic endeavors against the Beast, but also because of his investigative findings of this election, leaving him angry, disillusioned, and not afraid to use his stomping boots to make an impression. Or his favorite weapon, the illegal Bowel Disruptor set on prolapse.
As we get closer to November and become more and more fatigued by the election, many of us can perhaps find solace in the shenanigans of Spider Jerusalem. I know I will. I have my own copies at home, but Bracken library also has Transmetropolitan, so feel free to head on over there and check it out, along with the rest of the graphic novel section.